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I once heard a lady say to a photographer that she would have bought his work if it had been a painting. She liked the image, but for whatever reason didn’t consider the medium suitable for her “it’s just a photo”.

I am sure that some share her thoughts, whilst others would be quite happy either way, but a growing number of people do recognise photography as an Art form. And collect it.

“There are three fundamental components of what we call art. First, is the artist; second, is the medium; and third is the artwork. All three, clearly are interrelated.” Tad Beckman

Defining photographic art

It is true many people do regard photography as merely a reproductive medium, and the photographer as simply the technician. And if this were just about your holiday snaps then it would be a valid point.

So let’s start with my definition of photographic art. I say my definition because there is no stock answer it means different things to different people.

For me it’s about creating a beautiful image that is an interpretation of the scene that I saw in my mind captured on film, rather than just a recording of what is already there.

It’s about the photographer being the choreographer of the various components; the composition is critical, as is the lighting, weather conditions and the colours at play.

It’s not just about pressing the shutter release, although timing is everything. Patience comes into play too, as you wait for all the components to be perfect all at the same time.

Some things you can control, but the weather well that constantly throws out surprises that can add that hint of drama to a picture or send you home disappointed.

It’s these uncertainties that add the challenge, and this results in creativity as you respond to the situation. Other photographers will have their own criteria, but we all are producing very personal pieces of work that we feel passionate about and that are a representation of our interpretation of the world.

A photograph - more than just a sheet of paper with an image on it?

Oh yes! Typically a photographer will capture an image that pleases their eye. They will create something that is close to their heart, and therefore give a little of themselves in the image.

Effectively they are allowing you to see how they perceive the world to be, one moment at a time. Add into the fact that many photographers print their own work (once they have an order!), and sign it then you could say you are buying a piece of history - or designer art!

In other words you are not buying a mass produced print, and naturally the price reflects this. You are buying into the reputation of that photographer and you will expect to pay more. When someone is starting out and building reputation then you are investing in the potential of that person.

You won’t pay as much, but you’ll be backing your own instinct and demonstrating your belief in that person’s talent. Contemporary photography is affordable art.

Subject matter - does it matter?

Personally I don’t believe it does, and I mean this in the sense that people will be drawn to your work because they have seen something of yours and liked your style, and typically that means they like your choice of subject matter too.

My preference is for landscapes and increasingly flowers, whilst other photographers prefer sport, people or a more abstract approach to name but a few.

I think the key to preserving artistic integrity is to shoot for your own personal satisfaction, although naturally as your reputation builds you will develop an understanding of what collectors want, but for me I always have to love the image myself to want to share it with the world. Anything less and it stays in the drawer!

I still experiment, and search for new subject matter, but my photographic style is what it is. It just keeps evolving.

A new language

Understanding the language of the image is something quite individual to the viewer, it does not explain itself in the same way to each person. It is subjective. And although some may view photography as easy, believing that there own point and shoot cameras can produce similar results to a master photographer are confusing the issue.

After all most of us have made paintings at some time in our lives, and may still own paint brushes, but wouldn’t necessarily look at a painting by a master and not consider it to be art would we?

It is the heart and hand of the author behind the brush, camera or pen that executes the creative vision not the tools used.

About the author: Sue Kennedy, LRPS & LBIPP
Sue Kennedy is an UK based photographer specialising in outdoor photography and works on commission for companies & individuals as well as shooting for picture libraries. To purchase from Sue’s current print and card selection visit her Website http://www.blueeyesphoto.com

Copyright © 2004 Sue Kennedy
Blue Eyes Photography Ltd

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A career in photography can be educational, rewarding and lots of fun! But where do you start? How do you get your first photography job? Do you work for an advertising company, newspaper, or modeling agency? Maybe if you are a photography major. So where does that leave the rest of us.

Depending upon your level of motivation and commitment, you can be a successful freelance photographer lining up your own work, but that’s another story OR you can find an employer to take you on and train you. Yep-sure, where are you going to find that?

How about an on-mountain photographer job at one of the Nations major ski resorts. Almost every major ski mountain has a photography program. Breckenridge, Steamboat, Vail, Copper Mountain Colorado, Heavenly California and Jackson Hole Wyoming will train outgoing and enthusiastic candidates to be professional photographers.

Have you ever wanted to become an extreme sports photographer? This is your chance. The action photographers shoot the ski/snowboard park and have private appointments that typically want extreme shots. Another part of the job is setting up on the side of a run and photographing skiers as they rip by. Your action shots get really good, quickly when you shoot a thousand pictures a day and you work on commission.

Do you have a zest for life, love working with families, would you enjoy working with a variety of groups or shooting child photography? Then a ski hill portrait photography job would be perfect for you. You set up your shop on the mountain at the scenic overlook. Families, groups, couples, kids ski right up for a photo shoot. it is not unusual to shoot 20-30 groups a day during peak periods like spring break, you can’t buy experience like that, but you can get paid to do it!

You will learn valuable photography skills that you can use the rest of your life. You will gain the experience and confidence to go up to anyone, anywhere take their picture and sell it to them. You will learn a work flow that can be applied to many different types of photographic situations when you freelance on your own.

The whole world will open up for you and your love for the art of photography with real world experience.

It is important to note that most of the ski areas will provide you with the proper camera equipment, uniform, and a mountain pass to get to your zone. You need your own ski/ snowboard equipment and Although they rarely provide housing they may have suggestions on how to get settled in to the area.

This isn’t for everyone, if you really just want to ski, get an evening job doing something else from 3-11pm. You can ski all day, everyday.

If you love photography and skiing you better hurry up and get in touch with one of the resorts right away because they fill their photographer jobs in October and November.

I have been a top professional photographer at several western ski resorts including Vail and Breckenridge Colorado, Brighton Utah, and Grand Targhee Wyoming. The season starts Thanksgiving and ends in April. I have exceeded $100,000 in sales in one season, a few times. I started out at Grand Targhee where I landed my first professional photography job taking action photos of skiers on the slopes. Now I live in South Lake Tahoe, California and this will be my 3rd season at Heavenly. To view my gallery of action and portrait photography visit freelancephotographerjobs.com There are a lot of photography free tips and info too.

I also publish a blog at: lookatyourphotos.blogspot.com If you know someone that enjoys photography and sking or snowboarding, email this article to them. They’ll get a kick out of it!

Brandon Baumgarten

“The Flow”

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“Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold.” -W. Eugene Smith

The invention of the camera liberated painting from its reportage role. Gone was the need to produce a likeness, detail the events of the story, painting was free to express emotions. True what had gone before contained an emotional content but now painting could experiment and through imaginative interpretation allow the emotional content to predominate.

As the 19th century evolved and throughout the 20th century painters from the impressionists through the cubists and expressionists to the minimalists could to use colour, line and form to go straight to the emotional content of their work. The representational aspect of the work become coincidental and was pushed to the point that it became akin to lying on the grass making shapes out of clouds. Enjoyable as it may be it is secondary to the nature of clouds.

The introduction of the digital darkroom has given this freedom to photographers. The range of tools to fix and enhance the camera’s capture when pushed to its extremes produces a range of fascinating effects. When added to the filters built into the better software, images can be produced that any comparison to the original photograph is purely coincidental.

With the use of these tools, the skilled photographic artist can take the pop song and create, in visual terms, the lyric beauty of a baroque symphony or the down town jive of a jazz variation without a tree or high rise in sight. Just the light captured by the camera and fine tuned into something completely different, something new that comes from the photographer.

The photographer has been liberated like the painter before them by technology. Now photographs can explore the full range of human experience including those that have no words to express them. Large statements will be accessible by the photographer not only in physical terms. Like their painter counterparts a large canvas is becoming the order of the day. That this canvas can express feelings rather than just illustrate them denotes that the photograph has become an adult in the arts

Henry Bateman is an artist/photographer. His work can be seen at http://www.pissedpoet.com

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