Aug 13 2008

Photographing Flowers

Posted in Photograpy by admin

Good timing is one of the most important instincts a photographer should have. A good sense of timing for photographers is as important as saying the right word at the right time. By good timing, I’m not necessarily referring to the time of day; but more importantly, it is when the flower is at its peak and the full-bloom is fresh void of any wilting. Sometimes, buds make good photographs; but usually the full-bloom is considered to be the *peak* time to capture a flower’s beauty and visual essence. In photography, premium quality photography occurs when the *peak* moment is captured and frozen in time.

If you have the software, Photoshop or other equivalent software, don’t be overly concerned about flawed petals or tiny bugs or specks on the flower especially if you know how to clone them out. If you are not sure about taking this approach, then inspect the flower for imperfections and remove the damaged petals and small insects just prior to taking your picture. If you have a bottle to mist the flower, use it! Water droplets look awesome on flowers! Drops of dew and water drops are delightful and visually refreshing.

From experience, I have learned to take not-so-tight pictures of flowers, because the closer I get to them (with my camera anyway), the odds of experiencing distortions and blurred pictures increases. My best advice is to take six or more images of each flower (from different angles). Try some with the flash on and others with it off. Make sure to watch your background.

As far as getting close-up to the flower, if you have software to crop the image at homeso much better! If not, try to get as close as you can to the flower head. One more suggestion: try to leave a natural green frame around the flower. The greenery sets off the color just perfectly! Next time you see a beautiful flower, don’t procrastinate! Lost moments, photographically speaking, are a dime a dozen! (revised 2/15/2006)

Debbie Jensen, Photographer, Graphic Designer, Web Designer
http://www.debjensendesigns.com

Tags: , , , , , , , , , ,
May 14 2008

Natural Light Still-Life Photography

Posted in Photograpy by admin

When I’m not outdoors photographing — when the weather is poor or when I’m inspired by an object or floral bouquet — I take my work indoors. This article aims to inspire you to be creative with your own photography and to try to set up your own still lifes to create beautiful art.

Indoors, as outdoors, I usually work with natural light. For the most part, no special lights are required for beautiful indoor photographs if you have a nice sunny window. In my house, the light in the eastern sun room is nicely diffused in the afternoon and this serves as a good start for lighting the scene. Lighting an indoor scene is very different from catching the proper light outdoors. Sometimes, I will use artificial light when the light levels are particularly low, for example, if I have decided to work at the wrong time of day to take advantage of the lighting in the sun room. For artificial lighting, I use my sunlamp which does a great job of imitating the sun for my moods and for my flower images. You can experiment with candles and other soft household lights too. I often use reflectors and diffusers to balance the light and highlight certain aspects of a scene. You can use a white sheet, tin foil, or colored fabric rather than fancy professional equipment to accomplish the same thing. For example, in a Christmas still-life on which I have been working, I am using a gold foil bag underneath the subject to reflect light up, get rid of shadows, and enhance that holiday glow.

I don’t generally use a tripod when I am working outdoors, but the lower level of light indoors makes it a necessity if I don’t want to use a flash. Since I am focused on one general subject in the middle of my table, I don’t mind keeping my camera stationery. When I am in a garden, I prefer to move around without the tripod. (Though, sometimes I will use a tripod outdoors if I have a particularly interesting flower and want to spend a lot of time with it or if the lighting conditions call for a slower shutter speed with a more open aperture.) A tripod allows you to hold the camera perfectly still for long periods of time. You can then keep your shutter open for longer periods without getting any blur from shaking hands.

As a garden photographer, I aim to include flowers in all the work I do. I like to set up still life images of found objects that delight me and will hopefully interest the viewer of my photographs. Setting up plants indoors gives me more flexibility to pick the “proper” angle at which to photograph them. I set up my tripod and move single potted plants around in circles on my “studio” table (a folding card table) trying to find the plant’s best side. I take single blooms and do the same or cluster them with other single blooms and leaves to make an arrangement. I sometimes use objects to play off the flowers, as I am doing now in the holiday card series on which I am working. You can use any items that appeal to you to create an interesting subject.

I start with colors and objects that I think will look nice together. I sometimes have an idea of how I will set them up together, but more often than not, I use serendipity to start arranging objects and then see what comes of it. As I look at an arrangement and snap away, I start to reposition one object at a time, ending up with a totally different arrangement than the one with which I started. I use different backdrops and table cloths. And sometimes, I bring in new objects from my personal things when an idea hits. The objects with which I start are usually purchased especially for the occasion and become part of my treasures for future still lifes. I usually take about 50 photographs in an hour when I work this way and come up with two or three that I really like and perhaps one special treasure. I have had three sessions of holiday stills like this in the past week and only have one photo that will make it to my Christmas cards.

I hope that you can use some of these tips to create your own unique still lifes. Think outside of the box about lighting and indoor subjects to create beautiful art using natural light indoors. Please see some of my still lifes in my “Dining with Flowers” gallery at http://www.melissamannonphotography.com/dining_gallery.php and more in my general galleries on my web site.

Melissa Mannon is a garden and nature photographer. Her photographs of children in the garden are exceptional for their sensitivity to the subject and artistic quality. She is the Autumn 2006 winner of the Writers‘ Journal’s photography contest for her image “In the Gazebo”. Her indoor photographs have received recognition and commendation for their simple beauty and artistic creativity. Visit her web site at http://www.melissamannonphotography.com

Tags: , , , , , , , , , , , ,
Close
E-mail It